For Your Consideration.

Below is a brief but hopefully effective description of movies that Cinematic Impact and Rohan Mohmand of www.mastersofcinema.net believe are worthy of preservation.  Immediately below this passage are the rules and criteria of The Library of Congress' National Film Registry.  I hope that readers will appreciate the films that we suggested to The Library of Congress. 

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CINEMATIC IMPACT'S LIST FOR PRESERVATION

The National Film Registry clock is ticking. If you want to nominate a film to be considered for the 2011 selections to the National Film Registry now is the time to make your move. It is a very simple process to nominate/vote for a film.

There are a few simple rules:

1) The film must be at least ten years old. (That means Gladiator is now eligible!)

2) The film must be "culturally, historically or aesthetically significant." (That may sound lofty, but don't forget - Animal House, Blazing Saddles and The Producers have met that standard.)

3) The film must be American, or at least have some sort of relatively significant American involvement. (Example of a film on the NFR that stretches the "American" involvement: Lawrence of Arabia.)

Once you have decided on a film you want to nominate you should check to make sure it is not already on the National Film Registry. The Library of Congress maintains a complete list of the 550 film on Wikipeida at the following link: http://en.wikipedia.org/wiki/National_Film_Registry

Okay, you've discovered that your nominee is not on the NFR, so what do you do next? You should write a short statement on why the film is important to you or to American culture. You don't need to sound like a film scholar - just write from the heart and try to be somewhat coherent.

Then, (drum roll please) you email it to Donna Ross at the Library of Congress

dross@loc.gov

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The Color Purple:     

 

Steven Spielberg’s 1985 film was severely short-changed at the 1986 Academy Awards Ceremony.  True, the film was nominated for 11 Oscars including Best Picture.  However it did not win one single golden statue, and Steven Spielberg did not receive a best director nomination.  The Color Purple’s simple but well acted emotionally charged story has elements of self-persecution, racism, isolation, forgiveness, and redemption.  All of this is gloriously captured with sweeping and naturalistic cinematography.  The predominantly black casted movie is a testament that any ethnic group can relate to a well-told story.

Memento

 

Christopher Nolan’s non-linear psychological thriller is an unforgettable experience.  The audience is equally as perplexed and feels the revenge driven rage of the film’s main character: Leonard Shelby.  Guy Pearce is superb and has the deer in the headlights look throughout the movie, no matter how close (or at times how far) he is coming to find and kill suspected wife-killer John G.  The movie was based on Christopher Nolan’s younger brother Jonathan Nolan’s short story Memento Mori.   The older Nolan expanded the short story into an audience pleasing and critically acclaimed movie that strangely did not garner a best director nomination for Nolan.

The Lord Of The Rings:  The Fellowship Of The Rings

 

After George Lucas’ episodes 4,5, and 6 of Star Wars, there was no major movie trilogy until Peter Jackson’s LOTR: The Fellowship Of The Rings.  In an age where computer generated imagery was becoming increasingly laughable to audiences, this film utilized state of the art technology to give audiences a grand adventure in the battle for middle earth.  The ability to have hundreds of characters engaged in battle in a single frame was not possible until 2001. 

The Sixth Sense.

Some may argue that once you have seen the twist in this movie, then it is fairly useless to re-watch.  However, the lead-up, follow thorough, and infamous “twist” are all highlights that many directors have attempted to replicate throughout the years.  M. Night Shyamalan has made utter rubbish in the later years of his career, trying to replicate the success of The Sixth Sense.  But even the director’s obsession to top this film, should be a testament of how powerful this film has become over the years.

The Shawshank Redemption

 

A movie that had one of the direst openings in film history arguably has one of the greatest endings of all time.  Andy Dufrense’s 500-yard crawl to freedom is one the subtlest yet riveting escape sequences ever filmed.  The acting chemistry between Tim Robbins and Morgan Freeman is highly believable, and unforced. 

 

Pulp Fiction

 

 

The late Gene Siskel and critic partner Roger Ebert, called Pulp Fiction “One hell of a Ride”.  For 154 minutes audiences are given a very unorthodox neo-noir that was imitated frequently in the following years.  The film should also be credited with saving Miramax from bankruptcy.  Tarantino has elements of Alfred Hitchcock and spaghetti westerns present in this 1994 film, which will entertain mainstream and artsy audiences alike.  John Travolta and Samuel L. Jackson as two philosophical henchmen whom talk about the differences between American and European McDonald’s hamburgers before killing their targets is unforgettable.