SEARCH CINEMATIC IMPACT
This form does not yet contain any fields.
    2001: A Space Odyssey (1) 20th Century Fox (1) 2nd Unit Director (1) 35mm (2) 65mm (1) 70mm (4) 84th Academy Award Nominations (2) Alan Horn (1) Alvin Sargent (1) AMC (2) Amy Pascal (1) Art Direction (1) assassins (1) Assistant Director (1) Avatar (1) avi arad (1) Batman Begins (2) BBC (1) Ben Kingsley (1) bizarre (1) Blu Ray (1) Bond 23 (2) Brad Bird (4) Breaking Bad (1) Brian Selznick (1) cartoons (1) CBS (1) Chris Corbould (3) Christopher Nolan (17) Cinema Con (1) Cliches (1) Clint Eastwood (1) Columbia Pictures (3) Creation of The Universe (1) cult bad movies (1) Daniel Craig (1) David Goyer (1) Dicaprio (1) Disney (1) Documentary (1) Douglass Trumball (1) DvD (1) Edward Zuwick (1) Emma Thomas (1) EON Productions (1) Evolution (2) F. Scott Fitzgerald. (1) Film Preservation (2) FILM VS DIGITAL (7) franchises (1) George Lucas (1) Ghost Protocol (1) Graham King (1) Guy Ritchie (1) Hallingquest is Angry (2) Harry Potter (1) HBO (1) He-Man (1) horror (1) Hugo (1) I Hate Tyler Perry Movies (2) Ian Fleming (1) IMAX (5) In-Camera Effects (3) Inception (2) Inglorius Basterds (1) J.J Abrams (2) James Bond (2) Janusz Kaminski (1) Japan (1) Jeremy Renner (1) John Lassetter (1) John Logan (1) John Singleton (1) Jonathan Nolan (2) Kathleen Kennedy (3) Lawrence Kasdan (1) Legend (1) Legendary East (1) Legendary Pictures (2) Library of Congress (2) Lord Of The Rings (1) Lucasfilm (1) Mad Men (2) Mama Burned the Cornbread (1) Man of Steel (1) Marc Webb (2) Marketing (1) Martin Scorsese (1) Mathew Weiner (1) Memento (1) metal gear solid (1) MGM (1) Michael Arndt (1) Michael Bay (1) Michael Fassbender (1) Michael Mann (1) Motion Capture (1) Muhammad Ali (1) National Film Registry (3) Nolanfans (1) Oscars (1) Packard Campus (1) Panavision (1) Paramount Pictures (2) Paul Greengrass (1) Pennywise (1) Peter Jackson (1) pretentious (1) Prometheus (5) Quentin Tarantino (2) Raiders Of The Lost Ark (1) Rants (1) Reboot (3) redundancy (1) Ridley Scott (3) Rob Reiner (1) Robert Elswit (1) Robert Towne (1) Roger Deakins (2) RRidley Scott (1) Sam Mendes (3) science fiction (3) Sequels (1) Sherlock Holmes (1) Side by Side (1) SkyFall (3) Sony Pictures (3) Special Effects (1) Spiderman (1) Spoilers (1) Stanley Kubrick (2) Star Trek (1) Star Wars (1) Steven Spielberg (4) Talent Agency (1) Terrence malick (1) The Adventures Of TinTin (1) The Avengers (1) The Bourne Ultimatum (1) The Color Purple (1) The Dark Knight (3) The Dark Knight Rises (8) The Shawshank Redemption (1) The Sixth Sense (1) The Walking Dead (1) These Amazing Shadows (1) Thomas Tull (1) Tim Curry (1) TinTin (1) TMNT (1) Toho Cinemas (2) Tom Cruise (1) Tom Hardy (1) Unit Production Manager (1) Video Game Movies (3) Wally Pfister (5) Warner Bros (8) Warner Bros Television (1) Weta Digital (1) Zack Snyder (2)

     

    Powered by Squarespace

    The purpose of this tab is to voice opinions of articles, novels, novellas, or non-fiction works that could potentially make ticket purchasing worthy movies.  The reason that the Amazon Kindle E-Reader is being given the spotlight is because it is the device that one of Cinematic Impact’s administrators uses.  The Kindle is ideal for this person who is on the move at any given moment due to their military obligations.  And it has apps for Windows based computers and Apple Inc products.  Of course if a certain reading material is not available for kindle (i.e paperback or graphic novel format only) it will still be discussed here. 

    Additionally, movies that have already been made from previous sources or currently being made will be accessed.  Cinematic Impact will go to great lengths to read the books or articles that upcoming movies will be based on.

    Entries in Max Brooks (1)

    Sunday
    Oct302011

    How Well Will Mankind Ban Together To Stop A Worldwide Zombie Invasion That Was Created By Their Very Own Stupidity?  

     

    Until I began my military career I was a little naïve of the different types of illegal trafficking in the world.  Of course everyone knows of human trafficking and the ever-occurring drug trafficking.  But some of the smaller yet equaling appalling types of trafficking remain under the radar of most person’s knowledge.  One of these types of trafficking is organ trafficking.  In Max Brook’s World War Z the trafficking of infected human organs starts the Zombie Apocalypse.  

    Just as Daniel H. Wilson utilized the “epistolary novel” method to tell the story of Robopocalypse, Max Brooks gives the reader dozens of separate stories that span the globe.  The accounts of hordes of flesh eating re-animated creatures terrorizing entire cities is told to the reader through the eyes of peasant farmers, ordinary citizens and top level military officials.   One army intelligence officer bashes the competency of his senior officers, whom suggest that stealth bombers are the answer to eliminate an enemy that give does not give off a radar signature.  A 12-year-old boy talks of how his father was forced to quarter and cook a recently deceased (non-infected) corpse so his family would not fall victim to starvation.  The situation is so dire that in some parts of the world people only banded together to fight off incoming zombies, and once the mini-invasions were over they went back to fighting amongst themselves.

    Zombies do not have a battle plan nor do they have a political or rank structure.  The living human race was not only depleted on supplies to fight the undead, but also their morale and political structure was reduced to shit.  There is no particular turning point in the story, however a series of cleverly planned (and sometimes just luck of the draw) series of Special Forces attacks and containment practices eventually reduces the number of the undead. 

    I have only seen two of Marc Foster’s films: Monster’s Ball and Quantum of Solace.  Quantum of Solace was not nearly as polished as Casino Royale, and the once highly overrated Monster’s Ball is never mentioned on any top films of the decade list.  Due to the long spans of action intertwined with superb characterization, I think that Alfonso Cuaron’ would have been a more suitable choice.  Cuaron’s long takes without cuts would engross the audience in terrifying sequences of human vs. zombie and human vs. human action.  Notice that the human race has to fight amongst their selves and rotten walking corpses for survival.

    Usually the director has the most difficult job of bringing a vision to life.  But due to the narrative complexity of Max Brooks’ novel, screenwriters J. Michael Straczynski and Matthew Michael Carnahan will deserve the most credit if the film lives up to the novel.  According to Ain’t It Cool News the leaked partial script of World War Z is not only good but is reminiscent of Children of Men.  Here’s to hoping that Marc Foster can successfully direct Brad Pitt and company in a memorable film that is going up against Peter Jackson’s The Hobbit in December 2012.